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Usa todos tus plug-ins de instrumentos y efectos favoritos de Logic Pro, monta y desmonta el equipo sin despeinarte, y echa mano de pistas de acompañamiento.

A digital piano or MIDI keyboard with access to either a USB Type B port or a traditional MIDI connection common to older keyboards.Apple MainStage 3-4-2 MAC OSX…MainStage tiene mucho que ofrecer a cada tipo de intérprete.
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A set of monitor speakers or headphones This space enables you to download samples that may require sizable storage space, and the RAM empowers you to work quickly and efficiently without lag time in your DAW A computer or laptop (recommended with at least more than 10% storage space remaining and at least 16GB RAM).Ī DAW, such as Logic Pro X or Pro Tools 12 (in many cases you’ll be able to use your VST as a stand-alone but for more functionality a DAW is recomended) Please refer to our Connectivity Guide for connecting your keyboard into a computer.
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Optional: an internal SSD to replace your computer’s hard drive (resulting in more CPU power and less PC crashes) and an external SSD for storing your samples. If you can only afford one (since SSDs can be pricey), look to purchase an external SSD for storing your samples on the drive and for saving CPU usage. #APPLE MAINSTAGE 3 V3.2.3 MAC OSX TORRENT PRO#įor advanced users: you may also wish to utilize a ‘slave’ computer, which is usually a higher-end desktop PC or Mac Pro from which you can run sample libraries without using your primary PC’s CPU. The more samples you have, the less efficient and longer it will take to work with your DAW, so many industry composers use a slave PC to save on CPU usage. #APPLE MAINSTAGE 3 V3.2.3 MAC OSX TORRENT PC# To connect the two computers, you’ll need Vienna Ensemble Pro, which acts as a sampler to host your samples from the ‘slave’ computer to your main computer. Access to a large variety of different piano samples which you may prefer over your keyboard’s original default sound(s). Access to thousands of samples to change your keyboard’s sound into a completely different instrument, such as: a high-quality trombone, cello, flute, or percussion recording, etc. Experimenting and building a new sound palette to your compositions. For example, you may prepare a template that loads as a quirky ensemble of organ, saxophone, and string sounds which you can play around with as an ensemble.

By using different sound patches, you’ll familiarize yourself with various instrument ranges, the kinds of articulations they are capable of playing, and the register(s) in which they ‘shine’ best.įor example, you can play a flute in a higher register for brighter sound, whereas its midrange will feature a mellow tone, and the low range features a darker tone suitable for suspense music.Ī violin’s lowest note is the open G string below middle C, so playing in a violin VST will teach you about writing for violin – where its range ends and which register to choose for certain kinds of tone (bright, warm, etc.).
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This method alone is not the best way to learn orchestration it is more like watching a TV show in a second language with subtitles.
